We don’t know because Batty has never shown us even one frame of the “Starsuck Jones” movies, just a few posters (on Sideways Sunday, of course) and of course many shots of the filming process and many, many strips with nothing but people talking about making a sci-fi movie. Good times (not really).
“Coming to Channel One this fall: The Great American Smirk-Off! Featuring all of Worstview’s finest smirks! Brought to you by Smirkov’s Vodka—available in 55-gallon drums, because you’re gonna need it!”
Which leads to the question, “why is Masoné apparently the head honcho for this movie?” The two previous Starsux movies were produced and directed by somebody else (remember the guy with the oily pencil mustache?); “Dead St. Lisa’s Story—the (not very) Moving Picture” was his auteur flick, his first stint as a director… and it bombed at the box office, despite a post-mortem (that is, after both the character of Lisa and the movie itself died) Oscar™ for its co-star. What studio in their right mind would give the producer/director role in a big-budget special-effects extravaganza to a guy whose first outing as a director was a flop?
We don’t know because Batty has never shown us even one frame of the “Starsuck Jones” movies, just a few posters (on Sideways Sunday, of course) and of course many shots of the filming process and many, many strips with nothing but people talking about making a sci-fi movie. Good times (not really).